heating up, cooling off, getting wet 2

Part 6: heating up, cooling off, getting wet 1

Nicolas and I hadn’t planned anything in particular for the shoot, for a few reasons. I wasn’t certain how well I’d take to it, and didn’t want to over-commit and thus inconvenience him. He had picked up on my hesitation and kept his goals modest (is “modest” really the right word when discussing a nude shoot?), which meant the location and poses weren’t set in advance. He wasn’t planning to use the shots himself so he had no agenda for production. It was very much a “go with the flow” sort of thing, and you have to hope the flow goes somewhere interesting.

We had started out low-key, and rather than leaping right into the deep end with nudity, he had me start with some clothing that he had brought. Sexy, revealing clothing, but still. I didn’t really know what to do for poses, and he gave what he later called “gentle directions”. I would almost go so far to call them “suggestions”, since I always felt free to agree, suggest changes (or progression), or even decline. There was never any pressure, and right from the beginning I found him respectful, supportive, encouraging and friendly. He created an emotional environment in which I could relax and flourish.

As we went on, he began to ask more of me and the poses became more complex than “stand here and tip your head” or “drip some water on your nipple”. The verbal directions started to become more cumbersome, certainly because of the increase in complexity, and perhaps also because the language in this context can be very fussy and technical.

Eventually he started moving me with his hands — my arm here, my leg there, angling my head. I don’t specifically recall, but he must have tried something simple at first, like gently moving my foot. He was relaxed about it so I was, and this created a virtuous cycle of comfort and ease with each other. We were in a space that was small and unavoidably intimate, and we were almost touching most of the time already; this hands-on contact felt like a natural progression.

Nicolas gave me feedback throughout. I never really knew if something didn’t work, because he never made a fuss about it, and it didn’t matter anyway. We just kept trying new things. When it did work, he was vocal about it, saying “yes”, “that’s hot”, “don’t move, don’t move!” or (my favorite) “fuckfuckfuckfuckfuck!” under his breath. Sometimes there were no words, just a very satisfied look on his face. Whenever he got a shot he particularly liked, he’d turn the camera around to show me.

Photo by Nicolas Laborie.

Sensing that I was still at ease, we moved on to more dynamic poses. I was still wearing the black dress. The top came down. The bottom came up. And up. I grasped, I tugged, I arched.

Photo by Nicolas Laborie. Oh look, my nipples are hard, no pinching required.

Then he wanted me to cover my crotch with my hand (we were back to verbal directions now), and then stroke a little to give the impression that I was pleasuring myself. By this point, I was nude again.

I hadn’t noticed feeling specifically aroused — I was still very interested in the shoot and wouldn’t have wanted to stop to play — but I did get very wet. Was it the camera? The company? The nudity? Being a little outside my comfort zone? When it happened with Lucas, the circumstances were very different so I haven’t narrowed down the cause yet.

Nicolas had told me before that the best photos happen when the model can make love to the camera. I suppose I was doing well, because during the shoot he announced that he was getting a little too wound up and needed to take a break. That is a compliment that can’t be feigned! We sat on the bed and talked for a while, he in his black T-shirt and black jeans, I still nude, sharing personal things with each other. When we got started again, we had lost some momentum. But then that was precisely the point.

* * *

Nicolas and I were acquaintances through DM and email before this shoot, and I felt that during the shoot we forged a real connection and the basis for a friendship, even before we stopped to talk.

I knew I wanted to do the shoot but I didn’t know for certain whether my old “script” (that nudity and sexuality are bad and/or dangerous) would hold me back until I actually tried it. There’s only so far you can get with thought and rationality regarding subjects that have the potential to be emotional, and sometimes explosively so. I was glad to discover that I’m making progress in this area, and that I was right about what I wanted — it gives me confidence that I’m coming to know myself better.

As I’ve said before, my body image has improved markedly since I started sharing photos of myself on Sinful Sunday, and this shoot was in some ways an extension of that project, but more in the realm of expressing my sexuality. In front of someone I’d just met in person the day before!

Nicolas was right, of course, that this was an entirely different experience from being my own photographer. There was an intensity, a frisson, some kind of chemistry. I was being unambiguously seen in that moment, and appreciated just as I am. And successfully challenging my limits.

Nicolas Laborie would like to work with other people too. If you’re interested, you can get in touch with him via the email address on his website, or via DM on Twitter, where he is @nicolas_laborie.

There are more photos from the shoot, which I’ll be sharing over the next while.

heating up, cooling off, getting wet 1

Part 5: the shoot begins

The room, though attractive, offered only a few backgrounds — white wall, green glass, walnut headboard, white sheets — while reflection shots in the bathroom mirror provided another option. The only usable furniture was the bed. The effect was minimalist and monochrome. And frankly, it was cramped, which limited the angles.

When discussing what to focus on, Nicolas remarked that he knew I liked my breasts. Well, yes, as it happens I do. But his impression would be based on the photos I post, and my regular participation in Boobday means that my breasts are somewhat overrepresented on the blog.

And this photo doesn’t do anything to redress that.

I was now fully nude. Nicolas had been attentive to my comfort, and the space heater had done its job, but this caused two minor problems. First, he was overheating; he took off his black sweater to reveal a black T-shirt and was still too warm. Second, I was comfortable and thus my nipples were rather boringly flat.

He wanted them perky. His first idea was to dribble some water on me. He started and then I took over. It wasn’t entirely effective, but the water droplets look great.

(You know, after stripping that first time, I don’t really remember the subsequent costume changes. I’m just going to assume that Nicolas watched me dress or undress each time. I didn’t find it a hardship, and neither did he, I trust.)

I then got into my black dress. The fabric is substantial, with good body and recovery, so it tended to smooth out details rather than reveal them. Details such as, oh, nipples.

We tried the water trick again, but it just wasn’t up to the task. It was time for more drastic measures. He wanted me to pinch my nipples to perk them up. I didn’t go for it right away. He mimed pinching. He was torn; it would be so easy for him to just do it and get the effect he was after, but it was rather personal! I laughed. He mimed again. I made a half-hearted attempt to pinch them into shape, but I felt awkward too and couldn’t get into it. More miming. More smiling and laughing, on both sides.

We conducted an entire wordless negotiation this way.

Him: I want those nipples hard so they’ll photograph better and pinching is the only way I can think of to do it.

Me: I know, I get it, but I can’t bring myself to do it.

Him: I’m warning you that if you don’t, I’m prepared to do it!

Me: Yes, I know! Go ahead!

And that’s how Nicolas came to be pinching my nipples in a workmanlike, results-based fashion while we both laughed at the ridiculousness of the situation.

But it worked, as you can see.

Part 7: heating up, cooling off, getting wet 2

the shoot begins

Part 4: setting up the shoot

Before we met up, Nicolas had said he was looking forward to seeing me, and I’d teased that he had already seen rather a lot of me. This — sharing this space together ­— was different, he’d said. He was right, of course.

I was standing by the foot of the bed while he reclined at the other end, waiting expectantly. Of course he’d be expectant.

I felt a bit awkward, but probably less so than I would have predicted, truth be told. I was about to take my clothes off in front of someone who I’d first clapped eyes on only the night before. But it was also a project months in the works, unilateral, and not romantic.

My problem was an unusual issue of etiquette: what is the most appropriate way to take off one’s clothes for a nude shoot in a small room containing the photographer and with virtually no privacy? For in this elegant shoebox of a hotel room, there was nowhere to retreat.

Stepping into the bathroom seemed pointless: distance had suddenly taken on symbolic relevance, but escaping to the bathroom would necessarily start with an advance towards Nicolas — a zero-sum game. And anyway, I’d roll the door closed and face the mirror while… what? While he watched me through the smoked glass. Of course he’d watch.

No, I’d stay put. This was not romance, and still less a seduction. There would be no eye contact, no slow, tantalizing reveal. Facing straight on felt too bold, but turning my back seemed silly: I was here to do a nude shoot — shall I now spend 60 seconds being modest? For what purpose?

I split the difference and turned to my right, then removed my clothes as if I were alone, and tidied items away on a shelf under the TV as I went: necklace, sweater, T-shirt, leggings, bra… When only the panties remained, I hesitated, then looked to Nicolas for guidance: OK, we’ll just go with this much for now.

Then we added clothing again, starting with a little black net bodysuit that he had brought. The fabric ran from under-bust to hips or thereabouts, with shoulder straps split above the bust to frame each breast, and garters (suspenders) hung from the bottom edge. He snapped some shots and then showed me one that he thought was particularly hot: my breasts framed by the black lace and straps. But ultimately that photo was deemed insufficiently striking to make the final cut.

Being nude when the other person is clothed is an odd dynamic. There is difference and thus power is invoked, but which way does the power flow? “Naked” is a synonym for “vulnerable”, and yet nudity compels the eye and thus has its own strength. This creates an interesting tension but there’s no paradox — vulnerability and strength aren’t mutually exclusive. Anyway, I felt satisfied with my appearance (perhaps even confident) and wasn’t worried that Nicolas would be critical. He had seen lots of photos of me, had approached me, and had only ever been complimentary. That provided me with a kind of emotional safety that I appreciated.

My usual photography process involves a lot of distance: I set up the camera, choose some promising poses, and take photos more or less blind with a remote shutter release; I look at the resulting raw material; I edit; I post; I promote. I see my blog stats change. Occasionally someone will comment. It’s all very removed and any feedback that I get is from a very safe distance in both space and time. I’m not used to being seen directly.

So now, instead of being a passive consumer of the curated images that I chose to share, Nicolas was a co-creator and director. Instead of communicating by means of text on a screen, he was close enough that I could just about feel his breath on my skin.

Part 6: heating up, cooling off, getting wet 1

setting up the shoot

Part 3: last-minute logistics

Room 325 was an elegant shoebox.

I opened the door to see a flat screen TV flanked by two smallish, highish windows that revealed just how thick the outside wall was. The bed was tucked into the corner to the left of the door, and a wee built-in desk nestled at the foot of the bed, in the far left corner. To the right of the door was the bathroom, with smoked-glass walls and a weighty sliding glass door. The far right corner of the room (beyond the shower end of the bathroom) was a narrow space, with three pegs (each bearing one wooden coat-hanger) under the window.

The sheets, space-saving sink, and toilet were crisply white, while the tall padded headboard, bed, desk, shelving and floor were deep walnut. The one free-standing corner of the bed had a fairly spacious void under it to house the garbage can. The whole room was roughly 10’ by 15’.

I dumped my (unstylish) backpack on the bed and hung my navy trench coat neatly on one of the hangers. Other than the bed there was only one place to sit, so I sat there, at the little desk, and ate half of my sandwich while killing time catching up on social media. Whatever I was wearing would have been an iteration of my standard uniform: leggings and a long-sleeve T under a clingy cashmere sweater, plus a bold necklace.

After a few minutes, a knock on the door. I opened it.

“Hi! Come in!”

Nicolas was wearing his black wool coat, and wheeling what looked like an ordinary black carry-on style suitcase, which contained his camera equipment. The room’s dimensions suddenly went from modest to crowded.

We hugged. He edged past me, hung up his coat beside mine, and then turned his attention to setting up his gear.

Earlier that morning when we were making plans, he had suggested prosecco and although I’m not much of a drinker I’d agreed: it sounded like fun and, yes, this photo shoot was worth celebrating. But when he arrived he apologized for having forgotten to bring some after all. I wasn’t fussed. He had thought it might help me with nerves and perhaps it would have, but I feel a bit uncomfortable with the idea of using alcohol to modify my mood so deliberately. Besides, I need to listen to my gut and alcohol scrambles the signal.

Wearing a black sweater and black jeans, he bustled about the small space and found a spot to put his light — there was pretty much just the one option, right in front of the TV. He brought the space heater out of its corner and set it on high, and then we tried to figure out the high-tech thermostat so the air conditioner wouldn’t suddenly kick in to keep the room stable at 21°. We chatted as he worked. At this point there wasn’t much for me to do except keep out of the way.

He asked which parts of my body I disliked. I had heard that this was a question he asked so it didn’t come as a complete surprise, and I knew my response might inform how he approached me. Months earlier I’d even given some thought to how I’d answer, but when it came to spitting out the words I rambled and qualified my statements.

“I’m going to ask again and I want a word not a sentence.”

Briefly then. Height, stomach a bit, and face a bit. I gathered that my answer surprised him, but if he had different expectations, he didn’t share them. He wondered aloud about the stomach being an issue because there was nothing wrong with it.

In retrospect, I think I understood his question differently than he had meant it. If the question was, “What parts of your body do you actively dislike, to the point that you avoid photographing them and perhaps even looking at them?” my reply would have been, “None — I’m OK with all of it.”

So what did my answer mean? I’ve always wanted to be taller than my 5’2”, but more importantly my horizontal measurements (bust, waist, hips) tend to go with a taller frame; it’s not so much my height as my proportions. As a child I learned from my parents’ example to be self-conscious about my stomach even though I now know rationally that there’s nothing to be self-conscious about. My face doesn’t look in photos the way it does in the mirror. Sometimes I feel pretty but never completely confident, but then I wonder — does anyone? Maybe I expect too much. Anyway, it comes down to this: do I hate any part of my body? No. Do I love it? Some parts but not all, and if anyone had bothered to ask my opinion, I would have tweaked the design a bit.

Eventually Nicolas had done all the setup he could. We had discussed how to approach the shoot. The preparations were complete.

He was now reclining casually at the head of the bed, propped up on his left elbow, looking utterly relaxed with a slight air of expectation. He was ready to start.

The next move was clearly mine: it was time to strip.

I chirped, too brightly, “OK, I guess this is it then!”

Part 5: the shoot begins

last-minute logistics

Part 2: putting faces to names — and bodies

He’d said he would look for a hotel room for us! And now I had to get it done and, oh hell, where to start?

I’d woken up late following a bit of a late night, and a long sleep — my usual routine. But the photo shoot had been top of mind and first thing I’d done, after accepting the fact that yes, I was awake now, was to DM Nicolas to see whether he would be stuck working that afternoon or whether the shoot was a go. His response hadn’t been promising: he expected to be busy until 4:00.

Nonetheless we’d continued messaging back and forth, working out other details. He had asked what would help to create a good atmosphere for me, and specifically whether there were things that he might be able to bring (lingerie, toys, DVDs). None of that had resonated for me (though I did say yes to some prosecco). I was much more concerned about and focused on the emotional atmosphere, and stuff seemed largely unimportant.

After the somewhat awkward shoot I had done a few months earlier, it was Nicolas who had helped me to understand what hadn’t worked, so I was confident that he already had a fair idea of my needs and wants. Thus he had heard most of this before, but I reiterated: I wanted to feel safe, respected, and desired (I’d found Lucas’s cold propriety inhibiting), and I wanted emotional warmth, his full attention, and positive feedback. More importantly, I was getting to know my needs and wants, and that self-knowledge gave me confidence — that I wanted to do the shoot, that Nicolas would be able to take care of me, and that I could and would advocate for myself if something felt wrong.

While chatting, Nicolas had gotten more and more keen to do the shoot that day, despite his scheduling difficulties. It was almost 11:00 when he had messaged to say he’d successfully arranged to be off at 12:00 and would meet me at 12:30, so could I book a room and tell him the address?

Shit! I thought he was going to take care of this, and there wasn’t much time!

I rushed from one website to another, looking for a room that was attractive but affordable. I’d never been to any of these places and was trying to interpret the flattering photos. No, too expensive. No, too small. No, too dowdy. Time was wasting. Nicolas pinged me occasionally: did I have an address yet? He was leaving soon, and where should he go? Shit!

Finally I found a hotel that seemed like it would work. But their check-in time was 3:00. Was there any hope that we could get in any earlier? Inquiring by email would eat up time that I didn’t have. I needed to call and ask, but my room didn’t have a phone — could he call and check? Yes, success! Sort of. We could get in at 2:00, but they wouldn’t take reservations over the phone ­— could I do that? OK. And it was done! We revised the meet time to 1:30, on the off chance that the room was ready earlier.

By this point it was about 12:15. I jumped in the shower and shaved (not my legs…), threw on some clothes (no time to worry about lines from bra or underwear or anything else), stuffed a few items into my backpack (black dress, stilettos, push-up bra, collar and cuffs, a pretty scarf, and, after a moment’s hesitation, my vibe). With a kiss and hug from Gawan and a plan to reconvene here at 5:00 (he was in possession of our one room key), I dashed out the door. There was a Sainsbury’s around the corner, which was perfect for grabbing a pain au chocolat and a sandwich (I hadn’t eaten a meal yet), and then I rushed to the tube station.

I went one stop and then had to change trains. (With all the walking and stairs and escalators and walking in the two stations, it probably would have been just as fast to walk straight to the second station. By simplifying, it might also have felt a bit less frantic.) I nabbed a seat on that second train and finally tucked into my much-needed pastry — but very carefully and tidily, since I don’t think I’ve ever seen anyone eating on the tube and, come to think of it, I think there are signs saying it’s forbidden. Oops.

I made no wrong turns and arrived at the hotel at 1:30. I’d planned to just sit and wait until Nicolas arrived but the reception area was very small and I couldn’t avoid being noticed, so I spoke to the front desk person somewhat reluctantly and stumbled over my words in the process. But the room was ready early and I was able to check in immediately.

There was no lobby as such. Opposite the front desk was an unoccupied café area with chairs and tables. I chose a window seat overlooking the sidewalk, the better to spot Nicolas and the better to conceal the fact that I was eating a banana — I wasn’t sure if outside food was allowed.

My phone didn’t work anywhere in Europe and the only connectivity I could get was through wifi. I’d been burnt a few times by offers of free wifi that required you to receive a code via SMS. I can’t do SMS and that’s why I need wifi! The connection at the blessed hotel just worked, so I sent Nicolas a DM to let him know I’d arrived and was all checked in. He was in transit, about 10 minutes away, and was taking the opportunity to look at my blog again en route. I told him I was going up to the room and gave him the number.

Having sat still for more than 5 minutes and eaten something, I’d finally caught my breath. I wasn’t late and I didn’t have to rush anymore. I stood up, slung my bag on my back and started toward the elevator when it hit me: here I was in an unfamiliar part of London, about to meet a man that I barely knew in a hastily arranged hotel room. No one else knew exactly where I was, and only a handful of people even knew I was in England. We were arriving separately; I’d given him the room number and with it the unstated promise that the door would be unlocked to him. I’d soon be naked. The only thing that kept it from being a total cliché was that I was there for photos, not fucking.

I smiled at myself and went up to room 325.

Part 4: setting up the shoot

putting faces to names — and bodies

Part 1: photo shoots past and future

We were going to be late. Five minutes for sure, maybe ten. Not a long time, but still. We strode through the dark, lonely streets to the bustling pub and searched the entire place top to bottom, twice, before concluding that we were first to arrive.

A picnic table was available outside and we pounced: it was the perfect place to see and be seen. The spring evening was cool but we were dressed for the weather and still warm from our walk, which had not been leisurely.

Time passed.

I concluded that something must have happened and started to wonder how long we should wait and whether this meeting was going to happen at all. Then I remembered that I had intended to provide a description of what I’d be wearing but failed to do so, and then I realized that he hadn’t requested a photo of my face. How did he think he would find me?

Suddenly, there he was, in a black coat that looked to be good wool. He would have walked right past me but I called out, “Nicolas!” and he stopped short. He hadn’t expected to be confronted with us before he even opened the door.

He stopped briefly to say hello and explain that he had DM’d me to say he was going to be late, but I was reliant on wifi and didn’t have access so I didn’t get the message. And he had planned to look for someone who seemed to be looking for someone, so it must have been a bit jarring to be hailed. When Nicolas continued on his trajectory inside to get drinks, I moved to Gawan’s side of the table.

The tone of conversation changed, as it must. It had been Zoë and Gawan, vacationing lovers; it was now Zoë, blogger and potential model, Gawan, companion and blogger, and Nicolas Laborie, photographer.

Gawan put his arm around me and gave me squeezes from time to time, and while we had been inseparable for two weeks already this particular public display of affection was new. The message to me was warmth, love, and happiness to be with me, but I noted with a touch of amusement that Gawan was being mildly territorial, and the message to Nicolas would have been “She’s with me.” But then if all went to plan, Nicolas would be seeing me with my kit off very soon, and I could see how Gawan might have feelings about that. A bit of masculine posturing was not unexpected.

After chatting for a while, we eventually had enough of the freshness outdoors, and Gawan went to look for a table inside. Now we were at a little round table against a wall: Nicolas took one side and I took the other, with Gawan in between. There were no distracting TVs showing the latest game and, surprisingly, no music at all. Just warm lighting and the buzz of animated conversation all about.

Our conversation was good and ranged over a variety of topics, but occasionally I did feel a bit left out. I can’t recall what prompted it, but I stated, “In Western society women are seen as weak.” I meant it as a shorthand. Stereotypical binary thinking, which views “masculinity” and “femininity” to be opposites, assigns one trait to one gender and the opposite trait to the other, and usually the positive trait to men and the negative to women, hence, “Men are strong, women are weak.” Of course, I recognize this as utter bullshit, and I’m sure Gawan and Nicolas do too. But they seemed to think I was saying that women are in fact weak, and then set about citing historical examples of strong women. I thought with a mental smirk, Are they mansplaining misogyny to me? But they weren’t, not least because they were talking to each other more than to me. Ah, well.

The conversation eventually turned to the shoot, as it must. Since my schedule was going to be tight, I had given Nicolas lots of warning about the days that I’d be available and had hoped to make some reasonably firm plans in advance. Nicolas, on the other hand, had picked up on my hesitation and didn’t want to make any firm plans until he was confident that I was in, which meant that he would now have to try to get some time off on short notice.

Two dates were possible. One was the last full day of my trip, but I didn’t want to leave it that late and I was going to want to spend that time with Gawan. The other option was the following afternoon, if Nicolas could get the time off work, which he wouldn’t know until morning.

And there was still the issue of location. The place where I was staying was roomy but spartan, lacking style, and otherwise challenging, so Nicolas said he’d look for a hotel room for us.

There was a moment when Gawan stepped away briefly, and Nicolas leaned in a little closer, his voice pitched for privacy (not that anyone would likely have heard anything interesting over the general hum), but the bigger the audience, the less personal the truths shared. (And some people fail to be truthful even when they’re alone, but I digress.)

All of us knew about the shoot, but only two of us would be participating and that creates a certain intimacy. Instead of straightforward details to be discussed objectively and pragmatically, Nicolas now wanted to know how I felt. I felt good. Comfortable. I had considered all the angles, had done my very best to know myself and prepare, and had realized that nothing more could be discovered except by trying it.

Gawan came back after a few moments and we chatted a while longer but I needed to eat and it was getting on, so with this tentative plan in place we parted ways.

It was late by the time we got back to the room and I would have been happy to go straight to bed, but I had this feeling that Nicolas might be expecting me to send a late night message backing out at the last minute, terribly sorry for the bother. I wanted him to know that I had meant it when I said I was in, so I made a point of sending a message reaffirming my interest in the shoot and my hope that he would be free tomorrow.

And with that big question in mind — will it happen or won’t it? — I somehow fell asleep.

Part 3: last-minute logistics

photo shoots past and future

He said he’d look for a hotel room for us.

Wait. Let me back up. This statement came near the end of a discussion about meeting to do a photo shoot in which I’d model for him, nude. The London pub he’d chosen for our first face-to-face meeting wasn’t one he knew but was convenient to where Gawan and I were staying for the few days around Eroticon.

He didn’t spring the idea of the shoot on me at that pub. On the contrary, we’d been discussing it at some length from our respective time zones via DM. The pub was where we’d get the measure of each other and compare that to the impressions we’d conjured up from words on screens. That and, if all went well, discuss logistics.

He had suggested (over a year ago already!) that he would like to photograph me. Not long before, I’d had the idea of working with a photographer but hadn’t imagined that he would reach out. I was intrigued. And flattered. I liked what I had seen of his work and set out to find out more about him and his style.

I knew myself well enough to know I wasn’t able to guarantee that I could do the shoot. Or rather, I knew wanted to do it but I didn’t know myself well enough to predict with certainty that my emotional baggage wouldn’t interfere with my plans.

I’ve mentioned my first ever photo shoot before. I had thought I would be OK, but I wasn’t: I found the whole thing awkward and difficult. Nothing bad happened, it just felt vaguely (or not so vaguely) wrong. Shameful. I was given a print: my face in profile. I put it in a frame for a while but I never liked it. I think I still have that print in a folder somewhere. I couldn’t quite bring myself to toss it. Maybe I could now. The frame is long gone.

What could I do to be sure I was willing and, critically, able to a nude shoot now? Looking back, I can see that in recent years I’d already done some of the necessary work. A lot, actually. The biggest problem plaguing that first attempt was likely my sexual shame, from which my epiphany has largely freed me. Beyond that, doing self-portraits has gotten me more comfortable with being naked in front of a camera, and contributing to Sinful Sunday was (it turned out) working to improve my body-image.

But planning to work with a near stranger in a different country still seemed daunting. I’m cautious and slow to make decisions, and I wasn’t going to have the time to get to know him as well as I would like. The most time I’d get was a couple of days between meeting for drinks and then doing the shoot. I was concerned that my awareness of the hassle that would result from cancelling last-minute would override my awareness of whether I felt comfortable with the situation in the moment. I didn’t want to put myself in that position, and I didn’t want to cause him avoidable inconvenience.

So how about a test run with a near stranger who lived within daytrip distance? Without the element of overseas travel, the idea seemed substantially less daunting. As it happened, a photographer had struck up a conversation with me on FetLife months earlier and I kind of shut him down. Politely. But then I had this idea of a trial run, and I approached him again with the idea of working together. FP was game. The day arrived and I was ready to do the shoot but it fell apart because I had problems with the model release form he gave me. I was disappointed.

The disappointment was key: I discovered that I was actually fairly comfortable with the premise — otherwise I would have felt relieved that it had fallen through. There’s something else I absorbed well after this all went down: he seemed angry, and someone expressing anger at me is a red flag, especially when it’s a response to a relatively minor inconvenience. I suspect he thought a little too highly of himself, and too little of others. (When we met up, he spent time complaining about other models — another red flag.) But modelling isn’t my job and I have no obligation to tolerate difficult people.

Then the opportunity with Lucas arose. It was similar to the plan with FP except that Lucas is a close friend. It was a flight away rather than just a drive, but friends sometimes take flights to visit each other, I hear. The shoot turned out to be an OK experience — nothing terrible and nothing fantastic. I didn’t feel any shame — that was good. I had learned a lot about Lucas in those few days and got some insight into what happened during the shoot (and outside of it) that didn’t work for me. I learned that (unsurprisingly) I feel vulnerable when posing. I need to feel safe and appreciated and respected, and I need to feel emotional warmth. (It’s probably no coincidence that I need all of these in a physical relationship too.) I also need to get positive feedback — he didn’t give me any indication that I was doing things well, and feeling like I’m doing a shitty job makes me close down. And I need not to be cold!

I was becoming more confident in my ability to do a nude shoot, and I was working out the circumstances required for me to feel comfortable and maybe even enjoy it. I told the photographer that I wanted to do it and suggested we start planning when we’d meet, but I also expressed some hesitation because I couldn’t in good conscience say “Yes! I’m 100% on board!!!” and I didn’t want him to be too put out if I had to cancel. For what it was worth, during the intervening months I’d cobbled together an impression of him that, while sparse, was consistently positive, so I thought it was unlikely that there would be a personality clash.

So the last major variable that remained was whether the impression he gave in person would be consistent with what I thought he was like. And I couldn’t reach any firm conclusions about that until we met.

Part 2: putting faces to names — and bodies

photo shoot trip: that’s a wrap

The shoot wasn’t quite what I was expecting, but I guess that’s to be expected. I’ve been feeling ambivalent about it, even though I’ve been home for a while and have written up the events. It took a few conversations with other people before I really understood how I felt and why.

It was… OK.

There were good things. We shared ideas. I wore some nice outfits. I liked the bit of shibari that we tried. I enjoyed the way I got wet just from having the cuffs locked together. I had an adventure and pushed a limit.

There were things that were less than good. Nothing bad exactly.

I had a mild blood sugar crash on day 2 when we went out shopping, and then again in the evening of day 3 after we finished shooting for the day. I rarely feel hungry when I need to eat so I’m prone to blood sugar crashes, yet I rarely have them when I’m at home because my regular routine keeps me running well. I’m more likely to have a crash when I’m travelling because I’m off my routine. My sleep schedule was all over the place and there wasn’t much for food in the house.

There was also a technical glitch, discovered (or at least reported) after I’d already returned home. Lucas likes a certain amount of grain in his photos but had forgotten that his camera was very grainy all on its own, so all of the photos from the first day of shooting were really grainy. He adjusted the settings on the second day and we had better light, so those images are crisper.

My ambivalence about the trip came from my mood. My mood was a response to the theme of the weekend, which in retrospect was mild discomfort.

There was the physical. Lucas’s condo has heating problems so it’s always on the cool side. If you’re sitting around watching TV it’s no big deal — just put on a sweater or cuddle under a blanket. But if you’re, at best, scantily clad for a few hours, you’ve got a problem. He had a space heater going at all times but I wasn’t warm enough unless it was blowing straight at me and mostly it wasn’t.

There was the aesthetic. The condo has good bones but isn’t especially inviting. The living room, where we did most of the photos, was lined with Ikea shelves of paperbacks, movies, games and figurines, and at the center of it all was the home-theater-sized TV. He had been planning to clean the place before I arrived but had been putting it off, and then he was unexpectedly busy for the two weeks prior to my arrival. None of this mattered to me as a houseguest visiting a friend, but they did make it difficult for me as a model to actively enjoy being in the space.

There was the emotional. We’re both introverts; I need a certain amount of alone time and I’m sure he does too. I figured that he’d feel like his space was being invaded, so I was my usual quiet self and tried to keep my presence small while permitting myself to help a bit with dishes. I think he still found me “too much” for him to be comfortable though.

On top of it all was my biggest concern: how would I react emotionally to stepping out of my comfort zone and doing nude photos with a photographer? Many years ago I tried doing a shoot with a photographer, including some semi-nude shots. The experience was excruciatingly uncomfortable and I hated all the resultant photos. But now I feel more comfortable with my body than ever before, and I’ve taken and posted lots of photos myself. I was concerned that this shoot could trigger an old shame response, though fortunately that wasn’t the case. I was fine. But I could have been better.

Lucas was my second boyfriend, and I wondered what it would be like to be naked in front of him again after so long. I’m in good shape and my weight has always been stable. Would he notice that my breasts are almost as perky as they were when I was 17? Would he observe that my muscle tone is as good as it was then, or perhaps even better? If he noted anything of the sort, he certainly didn’t share it with me. In fact, with one exception he gave no indication during the shoot that he found my body even to be attractive, and we never actually spoke about that relationship. He was absolutely businesslike at all times.

But this wasn’t exactly business, and he didn’t hire me to model for him. We’re friends but it didn’t feel very friendly. I felt no warmth or emotional connection during the shoot. In fact, I perceived what I would now describe as emotional distance.

In an email before the shoot I shared that I would need praise, and he said he would provide it. But he gave me positive feedback only once or twice during the shoot, which went for hours over two days. It felt lonely. I was left seriously wondering whether he thought things had gone well or poorly, and after we wrapped up I asked him point-blank. He told me he thought it had gone well, but I thought I sensed a lack of conviction.

I’d consider doing another shoot with him but if I do, I want to enjoy it, so some things would have to be done differently. Having figured out what was bothering me, at least I’m now in a position to express specific needs and wants. But it may be that we’re not sufficiently compatible for this sort of partnership to work all that well.

photo shoot trip, day 4: more actual photos

I told Lucas I could handle more bondage, but he didn’t immediately take me up on it. The white summer dress I’d been wearing had inspired him to do something with his sunny yellow rope, but after that we just kept working, slowly, through the clothing options.

The next day was my last in town. Counting backwards from the flight time, we’d have to wrap up shooting by about 4:00 to allow me plenty of time to pack up my voluminous wardrobe, so it was going to be a short day.

He requested my quasi school uniform — blazer, little pleated skirt, white shirt, knee socks (and fishnets), and tie. I put on the shirt and skirt (with push-up bra and white cotton panties). But I’d forgotten my tie at home. Dammit! He rummaged around in his closet and then produced a dark grey silk tie he’d bought to wear to a recent funeral. I draped the tie around my neck, with the wide part hanging much lower than the narrow, started wrapping and twisting the silk, decided I didn’t have enough length, undid my work a little self-consciously, and tugged the wide end down a smidge more. Lucas was still in the room but not obviously paying attention. Around, over and through to the back; around, over and through to the front. Straighten the knot. Slide the smooth silk up snug to my neck. Done! He looked up; I’d gotten it just the right length, he said, sounding impressed.

Once he left the room, I gingerly pulled on the large gauge fishnets; the tights are effectively just a bundle of elastic string, and the holes are so big that it’s hard not to stick toes right through, at every stage. I always worry that I’m about to rip them to shreds.

We did a few shots with the outfit, and then he did a similar tie to the one from the day before, with my arms behind my back. This time he tied me a bit more snugly, and my response was more pronounced. Again, he wrapped the rope across my front, but this time the gesture was accompanied by a mild but sudden and otherwise inexplicable appreciation for the shape of his forearm as he went about the rigging. I’m not very visually oriented, and I don’t consider forearms (or any body parts, really) a turn-on. Since much of what was happening with the rope was behind my back, there wasn’t much for me to see. I think I was responding to the feeling of the rope and my brain simply latched onto the one image that was available.

Once he had me secure, I felt content being held in the rope and found it pleasant. I was a bit surprised to find it faintly comforting. This wasn’t a “scene”, and Lucas wasn’t domming me; there was no deliberate emotional content, nor was there an emotional connection beyond our friendship and the fact that I trusted him enough to do this. But I was having some kind of mild emotional reaction just to the sensation of the rope. I wondered if it was connecting generally with the human need for touch or specifically with my own significant touch hunger. Perhaps both.

We did some shots of my knit sheath dress, which has the silhouette of a cheongsam. Push-up bra again, no knickers. Stilettos. We did some poses with a faintly submissive tone, and then I put on the wrist cuffs. How odd it felt to be doing this for myself, but how much odder it would have felt to allow Lucas to do it. Having cuffs put on me does make me feel a little submissive. It’s a kind of adornment, and thus a temporary marking. It also represents permission to control me. It has significance.

I sat on the black leather couch with my knees together, hands resting on my knees demurely. The combination of being a bit dressed up and sitting carefully, almost studiously, was reminiscent of waiting for a job interview.

He put a golden lock, open, on one cuff, carefully concealing the word “Samsonite”. After taking a few shots, he locked the cuffs together. That instantly kindled heat. But I’m good at hiding my reactions and I’m sure he didn’t notice. “I just have to pop out for a minute,” he joked while I was bound. Har har. We also tried some shots with my wrists cuffed behind my back. When I retired to the bedroom to get changed, I saw that I was glistening and sticky, as I’d sensed.

More rope, less clothing. He’d had the idea of tying the torso without restricting movement and putting a blazer on top. This idea required knickers. It was a karada tie: a loop (the bight) around the back of my neck, straight down the front with a knot placed against my mound, both strands between the legs and up the back, then zigzagging front to back, and framing the breasts. Most of the work was done from behind. I felt a bit shy, but not uncomfortably so. The bondage didn’t challenge me because it didn’t restrict me at all. If there was a challenge, it was the nudity.

More rope, no clothing. Wolf’s cuffs on my wrists and ankles. Lucas had me sprawl on the couch, tied the wrist cuffs together using the attachment points, then tied off to the couch leg. Same with my ankles. “I hope you’re comfortable there,” he said as he turned away. Har har. Again. But it wasn’t actually a joke this time. The batteries in his camera had just died and he couldn’t remember where he kept the new ones.

I was naked, stretched out in the dimness under a spotlight, bound hand and foot, not especially comfortable, and somewhat chilled in his inherently chilly condo.

He could have said, “Now I’ve got you where I want you. You’re at my mercy, girl. I’m going to warm you up ­— well, your ass.”

He could have brandished a flogger, or a cane, or a paddle.

He could have purred in my ear, telling me all the dreadful things he intended to do to me.

But that’s not a game that I wanted to play with him. He rifled through dusty cupboards and drawers for his batteries. Fortunately he found them before I got seriously vexed.